Methods to quantify opera houses acoustics-Changes to why, what, and how?
Identifieur interne : 002185 ( Main/Exploration ); précédent : 002184; suivant : 002186Methods to quantify opera houses acoustics-Changes to why, what, and how?
Auteurs : Robert W. Harris [Royaume-Uni]Source :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2001-05-04.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
The historical and current reasons for quantifying opera house acoustics (the why?) are reviewed. The emerging shift from quantitiative assessment (by measurement) to qualitative assessment (by auralization) is discussed. The key characteristics of the acoustics of opera houses (the what?) are then considered. Assessment of a theatre with an audience present is suggested to be more important than unoccupied measurements. This has implications for the development of assessment methods. The suitability of classical room acoustics parameters-mostly derived from concert hall studies-is debated (the how?). Possible new assessment techniques are emerging. Characteristics not addressed by the classical parameters include the early (ensemble) and late (room) support provided to the singers and the onset threshold of image shifting of the sound of instruments within the orchestra pit. The assessment of loudness balance between the stage and the pit requires refinement and development. A difficulty with the assessment and comparison of opera houses is the effect of the stage settings on the acoustics.
Affiliations:
Links toward previous steps (curation, corpus...)
- to stream PascalFrancis, to step Corpus: 000451
- to stream PascalFrancis, to step Curation: 000171
- to stream PascalFrancis, to step Checkpoint: 000556
- to stream Main, to step Merge: 002266
- to stream Main, to step Curation: 002185
Le document en format XML
<record><TEI><teiHeader><fileDesc><titleStmt><title xml:lang="en" level="a">Methods to quantify opera houses acoustics-Changes to why, what, and how?</title>
<author><name sortKey="Harris, Robert W" sort="Harris, Robert W" uniqKey="Harris R" first="Robert W" last="Harris">Robert W. Harris</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Arup Acoust., Parkin House, 8 St. Thomas St., Winchester SO23 9HE, UK</s1>
<sZ>1 aut.</sZ>
</inist:fA14>
<country xml:lang="fr">Royaume-Uni</country>
<wicri:regionArea>Arup Acoust., Parkin House, 8 St. Thomas St., Winchester SO23 9HE</wicri:regionArea>
<wicri:noRegion>Winchester SO23 9HE</wicri:noRegion>
</affiliation>
</author>
</titleStmt>
<publicationStmt><idno type="wicri:source">INIST</idno>
<idno type="inist">04-0182921</idno>
<date when="2001-05-04">2001-05-04</date>
<idno type="stanalyst">PASCAL 04-0182921 AIP</idno>
<idno type="RBID">Pascal:04-0182921</idno>
<idno type="wicri:Area/PascalFrancis/Corpus">000451</idno>
<idno type="wicri:Area/PascalFrancis/Curation">000171</idno>
<idno type="wicri:Area/PascalFrancis/Checkpoint">000556</idno>
<idno type="wicri:doubleKey">0001-4966:2001:Harris R:methods:to:quantify</idno>
<idno type="wicri:Area/Main/Merge">002266</idno>
<idno type="wicri:Area/Main/Curation">002185</idno>
<idno type="wicri:Area/Main/Exploration">002185</idno>
</publicationStmt>
<sourceDesc><biblStruct><analytic><title xml:lang="en" level="a">Methods to quantify opera houses acoustics-Changes to why, what, and how?</title>
<author><name sortKey="Harris, Robert W" sort="Harris, Robert W" uniqKey="Harris R" first="Robert W" last="Harris">Robert W. Harris</name>
<affiliation wicri:level="1"><inist:fA14 i1="01"><s1>Arup Acoust., Parkin House, 8 St. Thomas St., Winchester SO23 9HE, UK</s1>
<sZ>1 aut.</sZ>
</inist:fA14>
<country xml:lang="fr">Royaume-Uni</country>
<wicri:regionArea>Arup Acoust., Parkin House, 8 St. Thomas St., Winchester SO23 9HE</wicri:regionArea>
<wicri:noRegion>Winchester SO23 9HE</wicri:noRegion>
</affiliation>
</author>
</analytic>
<series><title level="j" type="main">The Journal of the Acoustical Society of America</title>
<title level="j" type="abbreviated">J. Acoust. Soc. Am.</title>
<idno type="ISSN">0001-4966</idno>
<imprint><date when="2001-05-04">2001-05-04</date>
</imprint>
</series>
</biblStruct>
</sourceDesc>
<seriesStmt><title level="j" type="main">The Journal of the Acoustical Society of America</title>
<title level="j" type="abbreviated">J. Acoust. Soc. Am.</title>
<idno type="ISSN">0001-4966</idno>
</seriesStmt>
</fileDesc>
<profileDesc><textClass><keywords scheme="KwdEn" xml:lang="en"><term>Experimental study</term>
<term>Theoretical study</term>
</keywords>
<keywords scheme="Pascal" xml:lang="fr"><term>4355F</term>
<term>Etude expérimentale</term>
<term>Etude théorique</term>
</keywords>
</textClass>
</profileDesc>
</teiHeader>
<front><div type="abstract" xml:lang="en">The historical and current reasons for quantifying opera house acoustics (the why?) are reviewed. The emerging shift from quantitiative assessment (by measurement) to qualitative assessment (by auralization) is discussed. The key characteristics of the acoustics of opera houses (the what?) are then considered. Assessment of a theatre with an audience present is suggested to be more important than unoccupied measurements. This has implications for the development of assessment methods. The suitability of classical room acoustics parameters-mostly derived from concert hall studies-is debated (the how?). Possible new assessment techniques are emerging. Characteristics not addressed by the classical parameters include the early (ensemble) and late (room) support provided to the singers and the onset threshold of image shifting of the sound of instruments within the orchestra pit. The assessment of loudness balance between the stage and the pit requires refinement and development. A difficulty with the assessment and comparison of opera houses is the effect of the stage settings on the acoustics.</div>
</front>
</TEI>
<affiliations><list><country><li>Royaume-Uni</li>
</country>
</list>
<tree><country name="Royaume-Uni"><noRegion><name sortKey="Harris, Robert W" sort="Harris, Robert W" uniqKey="Harris R" first="Robert W" last="Harris">Robert W. Harris</name>
</noRegion>
</country>
</tree>
</affiliations>
</record>
Pour manipuler ce document sous Unix (Dilib)
EXPLOR_STEP=$WICRI_ROOT/Wicri/Musique/explor/OperaV1/Data/Main/Exploration
HfdSelect -h $EXPLOR_STEP/biblio.hfd -nk 002185 | SxmlIndent | more
Ou
HfdSelect -h $EXPLOR_AREA/Data/Main/Exploration/biblio.hfd -nk 002185 | SxmlIndent | more
Pour mettre un lien sur cette page dans le réseau Wicri
{{Explor lien |wiki= Wicri/Musique |area= OperaV1 |flux= Main |étape= Exploration |type= RBID |clé= Pascal:04-0182921 |texte= Methods to quantify opera houses acoustics-Changes to why, what, and how? }}
This area was generated with Dilib version V0.6.21. |